“South of the Border” Album Review
Charlie Parker’s 1952 LP, “South of the Border,” is an entertaining combo of scorching saxophone and fiery Afro-Cuban rhythms.
Charlie Parker’s 1952 LP, “South of the Border,” is an entertaining combo of scorching saxophone and fiery Afro-Cuban rhythms.
The self-titled 1951 LP of pianist Mary Lou Williams is a tremendous example of her singular, impressionistic, bebop style.
Released in 1951, the “Lester Young Trio” LP, which also features Nat King Cole and Buddy Rich, is a must-listen for any jazz fan.
“Peppers & Eggs,” a two-disc soundtrack album from The Sopranos’ first three seasons, is an entertaining piece of memorabilia.
The 50 best songs of the 1940s, ranked.
The Colin’s Review 2024 Mid-Year Music Report Card takes a look at the best albums of the year so far and what that means for the future.
“Fearless Movement” is Kamasi Washington’s most accessible album yet and keeps him at the forefront of jazz experimentation in the 2020s.
Striking the perfect balance of punk rock aggression and indie rock prettiness, “I Got Heaven” is Mannequin Pussy’s best album yet.
“Rush,” about the auto racing rivalry between James Hunt and Niki Lauda, is an enjoyable biopic that belongs in the Dad Movies Hall of Fame.
“POST HUMAN: NeX GEn” by British pop-metal band Bring Me the Horizon is a marked improvement over some of their previous work, but it’s still easily one of the worst albums of 2024.
A Night at the Philharmonic: the BPO performed Sibelius’ “Violin Concerto” and Beethoven’s “Symphony No. 9” on May 12, 2024 at Kleinhan’s Music Hall.
Dua Lipa’s 2024 album “Radical Optimism” only lives up to half of its title: bright and cherrful music that is hardly revolutionary.