“Shadow of a Doubt” (1943)
Alfred Hitchcock’s personal favorite of his own films, “Shadow of a Doubt” perfectly combines small-town wholesomeness with dark psychological horror.
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Alfred Hitchcock’s personal favorite of his own films, “Shadow of a Doubt” perfectly combines small-town wholesomeness with dark psychological horror.
“The Road” is one of American writer Cormac McCarthy’s most powerful stories: heartbreaking, horrifying, yet full of poetic beauty.
Written in 1960 by John Updike, “Rabbit, Run” is a poignant and occasionally profound look at American small-town life.
“Peppers & Eggs,” a two-disc soundtrack album from The Sopranos’ first three seasons, is an entertaining piece of memorabilia.
Directed by the great British duo of Michael Powell and Emeric Pressburger, “A Matter of Life and Death” is a visually stunning film from beginning to end.
Thanks to Daniel Craig’s complete reinvention of the character, “Casino Royale” lays claim to being the best of all James Bond films.
“Howl’s Moving Castle,” the 1985 fantasy novel by Diana Wynne Jones, is a relaxing, whimsical story in which not much happens.
“Challengers” is a sexy and stylish romantic drama centered on tennis that is unfortunately lacking in emotional substance.
“Les Paul’s New Sound, Vol. 2,” which was originally released by the husband-wife duo of Les Paul & Mary Ford in 1951, is an album deserving of classic status.
“Anatomy of a Fall” is a taut legal drama and an engrossing character study that is one of the finest films of the 2020s.
“Swing Time” is probably the best of the Fred Astaire-Ginger Rogers collaborations, with some of the most beautiful dance numbers ever put to film.
Miles Davis’ debut LP “The New Sounds” (released in 1951) is a standout album of early bebop.