One of the founders of the West Coast cool jazz scene, Dave Brubeck was responsible for popularizing jazz with white people and college people, which more often than not were one and the same. Among his quartet’s many milestones are his early university tours and the seminal Time Out record.
- Jazz at Oberlin (1953) A
- On some nights, there is a certain magic in the air. It becomes palpable — only a select few live albums can make you feel like part of the crowd, as if you were there. The Quintet’s May 15th date in Toronto. Duke Ellington’s 7/7/56 set at Newport. The Brubeck Quartet’s night at Oberlin College. Brubeck’s wildly imaginative piano chords, coupled with Paul Desmond’s wispy alto sax solos, finally gave white hipsters across the country something to write home about.
- Jazz Goes to College (1954) A-
- While lacking the magical coherency and continuity that made Jazz at Oberlin such a landmark occurrence, Jazz Goes to College continues Dave Brubeck’s trailblazing winning streak. But instead of Brubeck’s blocky piano chords taking center stage, it is the smooth syncopation of Paul Desmond’s alto sax soloing that defines the Quartet. Greatest performance at the University of Michigan until the Fab Five.