Over the last couple weeks, I watched 21 random movies. Here’s how I ranked them, from worst to best:
21. Year One
- Year: 2009
- Director: Harold Ramis
When I first saw this Jack Black/Michael Cera comedy as a teenager, I thought it was hilarious. 11 years later, and I couldn’t even make it through the first 20 minutes. Either I completely misjudged Year One on initial viewing, or it gets a hell of a lot funnier halfway through. Either way, it’s not worth sticking around to find out. C-
20. Inferno
- Year: 2016
- Director: Ron Howard
Inferno is the sequel to Angels and Demons, which itself was the sequel to The Da Vinci Code. All three films are shit. But for viewers unfamiliar with the “franchise,” the storyline is basically National Treasure in Italy, with Tom Hanks instead of Nicolas Cage. The bar isn’t high — National Treasure is pretty shitty, too. C+
19. Communion
- Year: 1989
- Director: Philippe Mora
Communion is a “good bad movie.” It’s got a hilariously over-the-top performance from Christopher Walken, an unlikely soundtrack by Eric Clapton and plenty of scenes involving close encounters of the third kind. A sci-fi stoner cult classic. B-
18. Remember
- Year: 2015
- Director: Atom Egoyan
Remember is a suspenseful tale of an aged Holocaust survivor out for revenge against the Nazis who murdered his family. Christopher Plummer delivers one of his finest latter-day performances, and for 92 minutes (out of 94), the film keeps us thoroughly entertained. Unfortunately, a plot twist in the final scene completely undermines everything that came before. B
17. While We’re Young
- Year: 2014
- Director: Noah Baumbach
For two-thirds of its duration, While We’re Young is a delightful examination of old meets young — a kindhearted rom-com about a married couple in their 40s who befriend a married couple in their 20s. But for its final act, the movie becomes … a self-referential treatise on documentary filmmaking? Director Noah Baumbach is better off sticking to marriage stories. B
16. Night Train to Munich
- Year: 1940
- Director: Carol Reed
Night Train to Munich is an entertaining noir thriller about undercover British agents on the run from Nazi soldiers. There’s witty dialogue, good chase scenes and a climactic mountaintop shootout. What more could you possibly want? B+
15. Dope
- Year: 2015
- Director: Rick Famuyiwa
Taking influence from Superbad, 22 Jump Street, Breaking Bad and GTA V, this coming-of-age caper about black high-school geeks growing up in Inglewood is highly entertaining, even if it has a little trouble wrapping up all its disparate themes. Just like its conflicted main character, Dope can’t make up its mind about what it wants to be. B+
14. 49th Parallel
- Year: 1941
- Director: Michael Powell
Even though this (fictional) tale of Nazi soldiers stranded in Canada was commissioned by the British gov’t as propaganda to sway the then-neutral U.S.A., it remains highly enjoyable on its own terms. 49th Parallel features great visuals, an unpredictable storyline and complex, multi-layered characters. A-
13. The Wild Bunch
- Year: 1969
- Director: Sam Peckinpah
Graphic nudity and graphic violence were staples of the Wild West, but they weren’t staples of western films until Sam Peckinpah made The Wild Bunch. Featuring a raucous cast, beautiful scenery and an iconic train-robbery sequence, the film is entertaining from start to finish, even if the overall storyline leaves much to be desired. A-
12. Rushmore
- Year: 1996
- Director: Wes Anderson
Some of you might be a little disappointed to find a Wes Anderson film ranked so low on this list. Even though Rushmore is my favorite movie by the idiosyncratic director, “favorite” might not be the right adjective to use. I admire Anderson’s craft, but I find myself unable to love his films. The stories are too cute, the characters too quirk and the humor too charming. Luckily, Rushmore happens to be Anderson’s least cute, least quirky and least charming work, thereby making it his best. A-
11. Tropic Thunder
- Year: 2008
- Director: Ben Stiller
Is this the craziest comedy ever made? Probably. Tropic Thunder brings out the funniest extremes from Ben Stiller, Jack Black, Robert Downey Jr. (in blackface, but that’s also part of the joke) and Jay Baruchel. But best of all is Tom Cruise as Les Grossman, the biggest alpha-male douchebag in the history of movies. A-
10. An American in Paris
- Year: 1951
- Director: Vincente Minnelli
An American in Paris doesn’t have the greatest story, especially when compared to other Gene Kelly musicals of the era. Then again, it’s not the story that matters — it’s the dancing. Luckily, the musical has some of the greatest dance sequences ever filmed, most notably the 17-minute grand finale. A-
9. Donnie Brasco
- Year: 1997
- Director: Mike Newell
Johnny Depp plays an undercover cop who infiltrates a small-time gang. Al Pacino, in one of his finest performances, plays the aging mobster who takes him under his wing. Their relationship forms the heart of this surprisingly emotional crime drama. Donnie Brasco is the anti-Goodfellas — all grit, no glamour. A-
8. The Man Who Knew Too Much
- Year: 1956
- Director: Alfred Hitchcock
They don’t call Alfred Hitchcock the “Master of Suspense” for nothing. Even though this entertaining thriller is a remake of a film he already made back in 1934 (also titled The Man Who Knew Too Much), it keeps you at the edge of your seat for its entire duration, even if it does run a bit long. A
7. The Double Life of Veronique
- Year: 1991
- Director: Krzysztof Kieślowski
Irène Jacob plays both Véronique and Weronika in this film about doppelgängers who never meet, but are acutely aware of each other’s existence. They share an inexplicable bond — for example, when one dies, the other is overcome with extreme sadness. Polish director Krzysztof Kieslowski tells this emotional story through imagery rather than words, which is fitting, because words can’t adequately describe the film’s vivid power. A
6. Donnie Darko
- Year: 2001
- Director: Richard Kelly
Donnie Darko, the 2001 cult classic, has a little bit of everything: time travel, depressive teenage angst, high-school romance, a killer ‘80s soundtrack and a supernatural, anthropomorphic, talking rabbit named Frank. In short, too many great ideas to fit inside one film. But the sloppiness is part of the charm — Donnie Darko remains an all-encompassing, unforgettable experience. A
5. Lost in Translation
- Year: 2003
- Director: Sofia Coppola
Two lonely Americans meet each other in Tokyo. Unfortunately, it doesn’t make them feel any less alone. Bill Murray and Scarlett Johansson both give career performances in Sofia Coppola’s plotless masterpiece, a film that is based more on mood rather than moving parts. A+
4. Make Way for Tomorrow
- Year: 1937
- Director: Leo McCarey
“It could make a stone cry.” That’s how Orson Welles described Make Way for Tomorrow, and the adage still holds true to this day. Few films are sadder than this Depression-era portrait of an elderly couple forced to separate after their ungrateful children refuse to take them in. Always remember to honor thy father and mother, kids. A+
3. The Ballad of Narayama
- Year: 1958
- Director: Keisuke Kinoshita
The Ballad of Narayama tells the fable of a medieval Japanese village where elders are left to die on a mountaintop when they reach the age of 70. Framed as a kabuki play and filmed on an elaborate sound stage, the film contains some of the most haunting, harrowing and unforgettable imagery I’ve ever seen. The final 15-minutes are absolutely wild. A+
2. A Night at the Opera
- Year: 1935
- Director: Sam Wood
No actors had better onscreen chemistry than the Marx Brothers, and that’s on full display throughout A Night at the Opera, a comedy classic that remains hilarious 85 years after it was first released. Not every joke lands, but you know how the old saying goes: the more you shoot, the more you score. A+
1. Modern Times
- Year: 1936
- Director: Charlie Chaplin
Charlie Chaplin was a comedic genius, and Modern Times is his masterpiece. The slapstick humor still holds up, but it’s the clever jokes about poverty, industrialization and cocaine that draw the most laughs. Funny how silent movies often have the most to say. A+